Blog de lololegoloi

speciale dédicass a ma saloperi de chauve souri =p

fuck se putin de systeme de mé deu ké maim po foutu d etre solidaire et ki me dégoute de jour en jour!!!!!!!!

ste groop c tro de la balle g jamai vu une femme chanter ossi bien ^^ =p

beaucoup veulent faire de la moto , beaucoup aime la vitesse , boeaucoup veuent une moto, beaucoup se tire la boure en moto, beaucoup sont tombé ,peu se sont relevé ,beaucoup se sont éffrayé, beaucoup ont renoncé
mai un vrai motar ne regrettera jamais son choi etre motar ces prendre des risques mai ossi du plaisir ne l oublié jamai!!!!!!

Muse are an English rock band formed in Teignmouth, Devon in 1994 under the alias of Rocket Baby Dolls. The band comprises Matthew Bellamy (vocals, guitar and piano), Christopher Wolstenholme (bass guitar and backing vocals) and Dominic Howard (drums and percussion). Muse blend alternative, hard rock, progressive rock, classical music and electronica, which combine to make a new sub genre called, New Prog. Muse are known best for their energetic and visually dazzling live performances[1] and on June 16th & 17th, 2007 became the first band to sell out the newly built Wembley Stadium in London[2] . Muse have released four studio albums. Their first, Showbiz was released in 1999, followed by Origin of Symmetry in 2001 and Absolution in 2003. The most recent, Black Holes & Revelations (2006), was also the most critically acclaimed, garnering the band a Mercury Prize nomination and a third place finish in the NME Albums of the Year list for 2006[3]. Muse have won various awards throughout their career including 5 MTV Europe Music Awards, 5 Q Awards, 4 NME Awards and 2 Brit Awards.




[edit] History
[edit] Formation and early years (1992–1997)
The members of Muse played in separate bands during their stay at Teignmouth Community College in the early 1990s.[4] The formation of Muse began when 14 year old Matthew Bellamy successfully auditioned for the part of guitarist in Dominic Howard's band. They asked Chris Wolstenholme, who played drums at the time, to learn to play bass guitar for the band. Chris agreed and took up lessons.
In 1994, under the name Rocket Baby Dolls and with a Gothic/glam image, the group won a local battle of the bands contest, trashing their equipment in the process.[5][6] "It was supposed to be a protest, a statement", Bellamy said, "so, when we actually won, it was a real shock. A massive shock. After that, we started taking ourselves seriously." Shortly after the contest, they decided to forego university, quit their jobs, change their name to Muse, and move away from Teignmouth, unaware of the huge success ahead of them.[7]
[edit] First EPs and Showbiz (1998–2000)
After a few years building a fan base, Muse played their first gigs in London and Manchester. The band had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall.
This meeting led to their first proper recordings and the release of an eponymous EP on Sawmills' in-house Dangerous label,[5] with a front cover designed by Muse drummer Dominic Howard. Their second EP, the Muscle Museum EP, reached number 3 in the indie singles chart and attracted the attention of influential British radio broadcaster Steve Lamacq and the weekly British music publication NME. Dennis Smith subsequently co-founded the music production company Taste Media with Safta Jaffery especially for Muse (the band stayed with Taste Media for their first 3 albums).
Despite the minor success of their second EP, British record companies were reluctant to back Muse, and many sections of the music industry asserted that, like many of their contemporaries, their sound was too similar to that of Radiohead. However, American record labels were keen to sign them, flying Muse out to the U.S. to play showcase concerts. After a trip to New York's CMJ festival, Muse signed a deal with Maverick Records on December 24, 1998.[8] Upon their return from America, Taste Media arranged deals for Muse with various record labels in Europe and Australia, allowing them to maintain control over their career in individual countries.


The partially transparent UNO CD-single.
John Leckie, who produced the influential The Bends by Radiohead, and had produced for the Stone Roses, and The Verve, was brought in to produce the band's first record, Showbiz. The album showcased the band's soft style, and the lyrics made reference to the difficulties they had encountered while trying to establish themselves in Teignmouth.[5][6]
The release of this album was followed by tour support slots for Red Hot Chili Peppers and Foo Fighters in the United States. 1999 and 2000 saw Muse playing major festivals in Europe and gigs in Australia, accumulating a considerable fan base in Western Europe, particularly in France.
[edit] Origin of Symmetry and Hullabaloo (2001–2002)
During production of the band's second album, Origin of Symmetry, the band experimented with unorthodox instrumentation, such as a church organ, Mellotron, and an expanded drum kit. There were more of Bellamy's high-pitched vocal lines, arpeggiated guitar, and distinctive piano playing. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Rage Against the Machine and Audioslave), the latter evident in the more riff-based songs in Origin of Symmetry, and in Bellamy's extensive use of pitch-shifting effects in his solos.[9] The album also features a reworking of Anthony Newley and Leslie Bricusse's "Feeling Good". Muse successfully sued Nescafé in 2003 when they used Muse's version of "Feeling Good" in a television advert without permission, donating the £500,000 compensation to Oxfam.[10]
Celine Dion was also threatened with legal action in 2002 when she planned to name her Las Vegas show "Muse", despite the band owning the worldwide performing rights to the name. Celine Dion offered $50,000 for the rights but Muse rejected this with Bellamy stating that "We don't want to turn up there with people thinking we're Celine Dion's backing band." Eventually Dion was forced to back down.[11]
The album received mixed reviews; Dean Carlson of Allmusic commented on the album saying "if you want to sound like Radiohead when even Thom Yorke doesn't want to sound like Radiohead, you might as well take it to such preposterous, bombastic, over the top levels."[12] Whereas NME gave the album 9/10 with Roger Morton writing "It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album. But Muse have carried it off" [13].
Maverick had reservations about Bellamy's vocal style on this album (considering it not to be "radio-friendly"), and asked Muse to change some of their songs prior to U.S. release. The band refused and left Maverick, resulting in Maverick's decision not to release Origin of Symmetry in the U.S. (The album was finally released in the U.S. on September 20, 2005, after Muse signed to Warner).
Having built up a strong reputation as a live band over the course of the Origin of Symmetry tour, Muse decided to release a live CD and DVD. The DVD, Hullabaloo, featured live footage recorded during Muse's two gigs on consecutive nights at Le Zenith in Paris in 2001 and a documentary film of the band on tour. A double album, Hullabaloo Soundtrack was released at the same time, containing a compilation of B-sides and a disc of recordings of songs from the Le Zenith performances. A double-A side single was also released featuring new songs "In Your World" and "Dead Star". The song "Shrinking Universe" from Hullabaloo Soundtrack was used in trailers for the 2007 film 28 Weeks Later.
In the February 2006 edition of Q Magazine, Origin of Symmetry was placed 74th in a fans' poll of the 100 greatest albums ever.
[edit] Absolution (2003–2005)
In 2003, a new studio album, Absolution, was released. Produced by Rich Costey (who had previously produced Rage Against the Machine, Phillip Glass and Fiona Apple), the album demonstrated a continuation of the experimentation displayed in Origin of Symmetry, while maintaining a sense of the band as a three-piece. The album yielded the hit singles "Time Is Running Out" and "Hysteria".
The album is built around the theme of the end of the world, and reactions to that situation; despite this, Muse described it as an "uplifting" album, with a positive message coming through in songs such as "Blackout" and "Butterflies and Hurricanes". The apocalyptic theme draws from Bellamy's interest in conspiracy theories, theology, science, and the supernatural. The song "Ruled By Secrecy", for example, takes its title from the Jim Marrs book Rule By Secrecy about the secrets behind the way major governments are run. Many lyrics on this album have political references, and the "Time Is Running Out" video takes place in an unspecified government office.